2014 The Journey continues

Our experiences as a group over the last two years has help develop and inform our direction of travel - our first exhibition this year (Veldhoven October 2013) will be followed by two more in 2014; London in early April for the 2012 pieces and Beaujolais in Mid April for the 2013 series.

We move forward in 2014 maintaining the same size for our work (A3 30x42 cm or 12 x17 inches); after some discussion the group has determined that an open theme of 'The earth' will be the theme for this year. This will give us each the opportunity to interpret the theme in our own way to produce a series of six pieces, one every two months.


Saturday, 13 September 2014

Cherries – A taste of summer



Cherries – A taste of summer – August 2014

Big, fat, juicy cherries come into season here in July. They are grown locally and in the nearby Rhone Valley and appear in local supermarkets, village markets and in wayside stalls which one can find all over this part of France in the summer. They are not around for long, so everyone makes the most of the few weeks they are available at quite reasonable prices.

The background fabric is cotton sateen from Stoll Weber. Cherry juice is depicted in the heavily quilted area with beads of juice dripping from the edge. I like text on my pieces as you know and the word Cerises, French of course for cherries, is quilted and filled with hand embroidered cross stitch using one of my hand dyed threads. The cherries are painted with fabric paint and shadows put in with more embroidery.

Saturday, 6 September 2014

3 Indian boys

I love making my Indian Ladies quilts but am enjoying the challenge of making quilts featuring the men and pushing me to practice painting faces, although with this quilt it is a back view.
I photographed 3 boys walking down the street in Mumbai. It seemed such a typical sight. They have a cricket bat and a tiffin tin.
The background is painted with added applique in the same style that I have made the other 5 quilts. I have one more to make in the same style.


Gillian

Wednesday, 3 September 2014

Red Rock Crossing - Sedona, Arizona





I've changed my thinking about the power of the earth that is so abundant in Sedona, Arizona.  I used to think that the earth power came from the majestic red rocks around which Sedona is built.  My impressions have changed, though, during my last few visits to Sedona.  My favorite spot to visit in Sedona is Red Rock Crossing, a "vortex" point just outside of town where Oak Creek babbles and dances across some of those majestic red rocks.  Oak Creek originates more than 8,000 feet above Sedona as runoff from the volcanic San Francisco Peaks.  On its journey downhill, Oak Creek has carved the cavernous Oak Creek Canyon and has sculpted those majestic red rock formations that define Sedona.  I believe the real earth power in Sedona comes from the water.  That is what this quilt is about--the water at Red Rock Crossing.  Cathedral Rock is just a reflection in the water of Oak Creek--the towering red rocks shaped as a result of the power of the water of Oak Creek.

This quilt is my first serious attempt at thread sketching.  I have intentionally left the rocks virtually unquilted.  They emerge from the water just as they do from the waters of Oak Creek.  I printed a photograph on silk and added acrylic paint and organza to the rocks.  I thread sketched the water and reflections to make them the focal point of the quilt.


Sunday, 24 August 2014

The Liar's Cloth.  


This months subject is Silk.  There is a small amount of native silk in Africa.  Magagascar is well known for it's silk, both local and introduced.  A lesser known silk found in West African is woven into beige cloths known as Sanyan (Nigeria).  The cloth is rough and heavy and not at all like Chinese silk.  The background of this piece is a Sanyan cloth - it may be silk - but probably is not, but it's the closest I can get! The purple distressed piece is more than likely silk.  It is a wonderful scrap that I found while rooting through the many bags of scraps that my friend Akwazi hoards.  Akwazi is a Kente cloth dealer, he spends many hours repairing old kente cloths - so his bags of scraps are a) useful to him and b) an absolute delight to root through!! This piece has certainly lived a life.  The silk for this cloth would have been imported from Europe, either across the Sahara desert or by ship to the Gold Coast. At one time imported silk cloth was bought by the weavers, unravelled and then used in their own work. The bobbin of yarn is to represent this idea.  The pattern in the warp - the three crooked gold lines is called 'Liars cloth'.  Once worn by the king or chief to put off Liars in his court.  



Sunday, 3 August 2014

Another Man

Another one finished
I photographed this man whilst I was in India in February
Painted, with added applique and stitch
For some reason I have lost my cropping of the photo!


Tuesday, 29 July 2014

New Men

I have finally found some time to make some progress with my Voyage Quilts.
Here is no 2 in the series

Skinny Man with hat.
Whilst in Orissa in February I photographed this man who was looking at his goats.
The backgroung in painted with added applique



Here is the third one in the series, again similar technique. I photographed this guy in the Flower Market in Kolkata




I have started on the 4th one, not finished yet but here are the 4 together. 


Gillian















Monday, 14 July 2014

Earth Quotes:If you think the ocean isn't important, imagine Earth without it...........

My third Earth piece is based on the quote:

"If you think the ocean is not important, imagine the earth without it. Mars comes to mind. No ocean, no life support system."

Sylvia Earle

I have used various shades of blue dye with three layers of discharge paste  which were sponged on the dyed background to create the various depths of the ocean around coral reefs. Jacquard discharge paste was used for the layer processes but to achieve a 'white' to show the coral near the surface I used a powder discharge paste  which was very effective.

Some colour was added to the reef with thickened dye and some highlighting with Inktense blocks. The piece was then machine quilted to add additional texture.





Jean